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Gilles Tran, “Family”, 2003

Gilles Tran, the artist, remarks this piece is “the by-product of a commissioned work for a record cover from the progressive US rock band Vox Tempus.” Painstakingly created with an open source renderer, it is oddly haunting.
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James Paterson, “untitled”, 2005

Paterson’s hand sketches form the pool from which he creates his works, assembling them with the aid of software, also of his own creation. Bitforms describes the results as resembling “a graffiti that seems to write itself.”
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Rafael Lozano-Hemmer, “Vozalta”, 2008

“”Voz Alta” (Loud Voice) by Rafael Lozano-Hemmer is a memorial commissioned for the 40th anniversary of the student massacre in Tlatelolco. Participants who speak into a megaphone automatically control the brightness of four searchlights that relay their voice over Mexico City as quiet light flashes; tuning into 96.1FM radio allows people anywhere in the city [...]
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Jose Manuel-Oli, “Existence”, 2004

Jose Manuel-Oli, the artist, notes that this  peice  is “full of clues and hidden meaning”. Remarkably it is entirely digitally painted with no 3D rendering at all.
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Olivier Charles, “FOA”, 2007

Foreign Office Architects Yokohama Terminal as modelled and rendered by Olivier Charles in 3D (from just one photograph.)
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Roman Gomes, “Escaleras”, 2009

A simple render expressing vertigo, tension and confusion. By Roman Gomes
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Daniel White, “Mandelbulb 3D”, 2009

The first truly 3D fractal by Daniel White.
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Christian Kokai-Kun, “Offshore”, 2008

Kokai-Kun is interested in the expression of future forms through evolution, his latest work looks at future notions of beauty.
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Thomas Briggs, “Veils73″, 2006

Thomas Briggs describes his work as being “Discovered by exploring a variety of rule and dynamic based models for behavior. They exist on a continuum between randomness and order.”
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Harold Cohen, “Aaron’s Garden”, 1989

Aaron’s Garden, a pen and ink drawing plotted by Aaron. “Aaron” is a “personal expert system” that Harold Cohen developed for generating art. Also featured in Ray Kurzweils “age of intelligent machines”.
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