Sandrine Estrade Boulet takes photographs from the streets of Paris and manipulates them digitally on her computer creating lyrical – and amusing – virtual grafitti.

Each one of nearly half a million black spheres, comprising a sculpture by Federico Diaz in the MASS MOCA, was carefully placed by algorithmically controlled robots. See below for a video on what this looked like…

In this Gothic, even disturbing, series Alessandro Robavari creates a kind of Hieronymous Bosch view of Soddom and Gomorrah. A digital combination of painting and photography that is somehow even more powerful for being monotone, emphasing deep textures and ethereal lighting.

Patty Kikham’s “On Yellow” series of fractal paintings are unusually soft, fluid and deeply layered.

This is just one of 20,000 images captured by Tim Knowles’s smart parcel as it journeyed 900 miles from London to the Isle of Barra. The carefully crafted package also contained GPS and audio recording devices and was posted with permission of the Royal Mail. See his exhibition at the Bitforms gallery in New York until 27th May 2011, click below for a picture of the ingenious parcel itself.

See John Maeda’s work, and a lecture about his thinking, at the amazing Adobe Museum of Digital Media

Trygve Skogrand’s digital photomontages “express a longing for harmony and serene beauty”, mixing religious iconography with everyday scenes.

Ralf Baecker’s introverted sculpture reveals the mechanism of it’s calculations on it’s outer surface, in the form of motors pulling strings and weights, but keeps the solutions to itself as the output is held secretively obscured in the middle of the structure.

Gilberto De Berardis digital photomanipulation creates works of elegant minimalism, almost as if created by some clever algorithmic process, but at the same time subtly textured, painterly and powerful.

Mariano Petit de Murat digitally manipulates photography but his craftsmanship makes the process almost transparent. His work seems solid, realistic and dreamlike at the same time.