![Jon Bailey_Y[our-s]UKKAH_01_2010](http://www.wuzine.com/wp-content/uploads/2011/05/Jon-Bailey_Your-sUKKAH_01_2010.jpg "Jon Bailey_Y[our-s]UKKAH_01_2010")
Jon Bailey’s concept design for a Sukkah, employing generative modelling software, would project images on it’s exterior according to its interior activities using a simple system of shaped and stacked tubes. The tubes could also be used as containers for messages passed from one visitor to the next.
Ryan Teehee’s deceptively simple and restrained digital collages describe extreme climate change in a cool atmospheric way. Ryan was the winner of a competion run by London’s Metro Newspaper and the Museum of London, see his winning image here.
Robert Graves and Didier Madoc Jones’s vision of London’s “Gherkin” is part of an exhibition “Postcards from the Future” (Museum of London until February 2011 then at the National Theatre until June 2011). The artists visualise a future city altered by the effects of climate change.
Visit Daniel Brown’s “Play-Create” site for fascinating (and occasionally cheeky) interactive artworks, including a clock that allows you to see the volume of hours passed in a day as a proportion of the whole day, and this one which lets you dress a spinning model in a variety of outfits…
Working with the Rambert Dance Company Mehmet “Memo” Akten created software that tracks and responds to dancers’ movements, the result – in this “off-shoot film” – is hypnotic.
A founding member of the algorists Jean-Pierre Hébert uses a magnetically controlled ball-bearing to etch algorithmic patterns into sand.
Barbara Nessim’s distinctive graphic strength is exemplified in this her latest work. The Model Project is a series of deconstructed fashion shots (by photographer Karl Rudfill), re-assembled to juxtopose desire and commerce. Read More
Golan Levin’s software uses the dark and light of a photograph to effect the progress of black and white lines. They are inspired by Vik Muniz’s “Pictures in Thread”. Read More
Artists Robert Graves and Didier Madoc Jones visualise the protocell research of Rachel Armstrong, using it to shore up the foundations of a sinking Venice. Read More
Keith Brown, “Bough”
The digital sculptor, Keith Brown, creates his objects virtually before using solid imaging to create casts for moulding brass. The result is a hybrid digital-analogue sculpture he terms “real virtuality” that could never be made by human hands.