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Tag Archives: Photography
Alessandro Bavari, “The Gate”, 2000
In this Gothic, even disturbing, series Alessandro Robavari creates a kind of Hieronymous Bosch view of Soddom and Gomorrah. A digital combination of painting and photography that is somehow even more powerful for being monotone, emphasing deep textures and ethereal lighting.
Tim Knowles, “Recorded Delivery”, 2011
This is just one of 20,000 images captured by Tim Knowles’s smart parcel as it journeyed 900 miles from London to the Isle of Barra. The carefully crafted package also contained GPS and audio recording devices and was posted with permission of the Royal Mail. See his exhibition at the Bitforms gallery in New York [...]
Trygve Skogrand, “Taking Flight”, 2009
Trygve Skogrand’s digital photomontages “express a longing for harmony and serene beauty”, mixing religious iconography with everyday scenes.
Mariano Petit de Murat, “Fading Heart”, 2010
Mariano Petit de Murat digitally manipulates photography but his craftsmanship makes the process almost transparent. His work seems solid, realistic and dreamlike at the same time.
Robert Graves and Didier Madoc Jones, “The Gherkin”, 2010
Robert Graves and Didier Madoc Jones’s vision of London’s “Gherkin” is part of an exhibition “Postcards from the Future” (Museum of London until February 2011 then at the National Theatre until June 2011). The artists visualise a future city altered by the effects of climate change.
Golan Levin, “Floccugraphs”, 1999
Golan Levin’s software uses the dark and light of a photograph to effect the progress of black and white lines. They are inspired by Vik Muniz’s “Pictures in Thread”.
Robert Graves & Didier Madoc Jones, “Protocells in Venice”, 2009
Artists Robert Graves and Didier Madoc Jones visualise the protocell research of Rachel Armstrong, using it to shore up the foundations of a sinking Venice.
Posted in Architecture, Environmental, Landscape Also tagged 3d, Composited, photoshop, rendered, Scientific Comments closed
Simon David Eden, “Looking for Leeuwenhoek ii”
Inspired by molecular science and quantum physics, Simon David Eden tries to express what can not be seen with the naked eye (in this case dedicated to the “Father of Microbiology” Antonie van Leeuwenhoek). These “Codagraphs” are a fusion of drawing, sclupture, photography and digital processing.
Sandrine Estrade Boulet, “The Arrest”, 2011